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Biography

BORN IN BOGOTA A 29 APRIL IN THE TWENTIETH CENTURY (1952) BORN ARTIST WITH EMPHASIS ON CACHARREO, ceramics. HE BUILT A COMPLETE carpentry, metal work, painting, ceramics and CAST. PRACTICAL KNOWLEDGE MANAGEMENT SILICATE CHEMICAL AND THERMAL PROCESSES, makes my eutectic mixture of clay as GENERA AND SPECIES OF COATINGS OR LAYERS OF CONTACT. SOUGHT AFTER IN THE DRY AND THE MECCA "green" NOT FOUND OR DRY OR TRUTH OR MECA....

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BORN IN BOGOTA A 29 APRIL IN THE TWENTIETH CENTURY (1952) BORN ARTIST WITH EMPHASIS ON CACHARREO, ceramics. HE BUILT A COMPLETE carpentry, metal work, painting, ceramics and CAST. PRACTICAL KNOWLEDGE MANAGEMENT SILICATE CHEMICAL AND THERMAL PROCESSES, makes my eutectic mixture of clay as GENERA AND SPECIES OF COATINGS OR LAYERS OF CONTACT. SOUGHT AFTER IN THE DRY AND THE MECCA "green" NOT FOUND OR DRY OR TRUTH OR MECA. LIVE BETWEEN SUSPICION AND HOPE, expected to happen in my life something that states or ReFirme SUPERNATURAL MI possibility of transcendence. I AM A FAITHFUL READER AND THE BOOK OF REVELATION LAST URANTIA OR DELIVERED TO THE GROUND BY PEOPLE OF THE UNIVERSE COSMIC CENTER OF CAPITAL WHICH IS NEBADON Uversa THE DECREED Uversa BE THROUGH A TRANSLATOR OF THE IMPULSE TO 30 PEOPLE CALL BOOK FORUM. I BELIEVE IN THE STRUCTURE OF THE FEEL, THINK AND ACT IN THE SAME DIRECTION, BUT IS Difficult to practice. LOVE TO LOVE AND THE AUTHOR OF LOVE AND GENEROSITY OF YOUR EXCUSE IMPERFECT EXPERIMENTS THAT ARE us earthlings, HE SAYS SOME STORIES URANTIA (NAME OF OUR PLANET) TO DISPATCH TO YOUR CHILD THE FIRST TIME TO EXPLAIN AND MAKE A LIFE OF EXAMPLE, BUT IN THE SECOND WOULD COME TO THOSE WHO DO TAKE FOLLOWED THE EXAMPLE OF THE. I HOPE THE TIME TO TELL SENGUNDA HEART OF EVERYTHING THAT COULD NOT BE LIKE HIM, BUT THAT WAS MY FIRST ARTIST STUDY .......... DOMINICAN YEARS 1960 AND MY SECOND YEAR WITH COMMUNISTS 1970.REALICE ART STUDIOS ARTS IN THE SCHOOL DISTRICT OF BOGOTA 1968, I reached MASTER ANTONIO MADERO. SCHOOL OF ARTS AND TRADES PRODEA 1979 BOGOTA, COLOMBIA AND NATIONAL UNIVERSITY 1978. Clay modeling, Rescue my cultural identity and existential, PLUS RESCUE ME MI Existentialism RETURNED PALETTE PATTERN OF MY ANCESTORS WAY MUISCA PROFESSOR, FERNANDO GONZALES, WE SAID THAT THERE WILL BE AN EVENING ^ RESCUE THE LIVING WORD OF INDIGENOUS nustra ^ DEAD AND CONFIRM THAT THIS WORD WAS MODELED IN-USER-(COSMIC DUST AND SACRED) CLAY. CLAY OF MY PEOPLE.

HAVE NOT PARTICIPATED IN ANYTHING OR HAVE NOT DONE SHOWS HE IDO TO OTHER COUNTRIES, THE MOST IMPORTANT THING I'VE DONE IS TEACHING OTHERS THE SECRETS OF GREAT CHARM CLAY. DEDICATED TO ME HE DO NOTHING IN SERIES OR IN SERIOUS. MY WORK IS A STUDY OF RELATIONSHIP BETWEEN INTERPLARIZACION E QUAD AND THE CIRCLE, ie CIRCUANGULO O squaring the circle.

INTERPOLARIZACION THIS WAS KNOWN BY THE MAYA AND EXPRESS THEIR ARCHITECTURE AS THE HUNAT-KU, something like eutectic mixture time.For SPACE AND UNDERSTAND THE ETERNITY.

THINK ART IS THE OLDEST RELIGION, OR THE OLDEST TO FIND MY WAY MORE DEEP INSIDE PULSE OF WHERE BORN THROUGH CREATION OF PLASTIC EXPRESSIONS OF MAN CREATED AND MANAGER THAT PLAY DEEP creative instincts. ONE GOD WORKS.

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